300 Word Bio

EMILY ROSE SIMONS (she/her)
Training: University of Bristol (BA and MA in Music), Book, Music, Lyrics Workshops, NYU Tisch School of the Arts (MFA,Graduate Musical Theatre WritingProgram), Apprenticeship Program at CRY HAVOC Company and MMD Advance Workshop.
Theatre credits include: Inside William (English translation lyricist, K Musicals, November 2022); Yankl Un Der Beanstalk (co-writer, Chutzpah! Festival, November2022); Inconvenient Miracle (composer-lyricist, EAG grant recipient, The Skeleton Rep, NYC, August 2022); Super Human (sound designer andarranger, NewDiorama Theatre, July 2022); Blood,Sweat,Tears (composer, HARP Theatricals, Ripley Grier Studios, NYC, June 2022) and ..The F.ck Am I Doing? (composer, New York Musical Festival, July 2019).
Cabaret credits include: The Songs of Emily Rose Cabaret (composer-lyricist,Tsitsit Festival, London Jewish Museum, November 2021); The Passing Show (composer-lyricist, Signature Theatre, NYC, December 2019) and Muse Match (composer-lyricist, Feinstein’s 54 Below, NYC).
Concert credits include: Signal Concert (composer-lyricist, The 100 Club, May2022) and The Final of the Stiles and Drewe Songwriting Competition (composer-lyricist, The Hackney Empire, September 2021).
Other info: The Songs of Emily Rose Podcastis available on Spotify, Soundcloudand other podcast outlets.
Instagram: @SongsOfEmilyRose
Twitter: EnglishRoseNY
Website: www.songsofemilyrose.com

 
200 Word Bio

Emily Rose Simons (she/her) is a London based musical theatre writer, composer and sound designer. Composer-Lyricist credits include: Confessions of A Rabbi’s Daughter (The Other Palace, September 2022), The Inconvenient Miracle (Episcopal Actors Guild Space Grant Recipient) & The Repatriot (ALP Signal Concerts). Composer credits include: Seven Fishes (Anatolian Film Festival), The F*ck Am I Doing? (New York Musical Festival, Brighton Fringe), Fair Kind and True (CRY HAVOC Company and The Sonnet Project) &Wendell & Pan (The Tank NYC). Sound Design credits include: Pickle (Park Theatre), Super Human (New Diorama Theatre) and 39 & Counting (Park Theatre). She is an alum of the Graduate Musical Theater Writing Program at Tisch, NYU, The CRY HAVOC Company apprenticeship program and Book, Music, Lyrics workshops in London. She is currently a participant in Mercury Musical Developments’ Lab II, and co-writer of Yankl und der Beanstalk (Supported by Arts Council England). Her song “Everything To Me” from The Funeral Lady reached the final of the 2021 Styles and Drewe Songwriting Award. The Songs of Emily Rose Podcast is her monthly “three songs and a bit spiel” available on Spotify and other podcast outlets, and her sheet music is available on www.NewUKMusicals.co.uk www.songsofemilyrose.com

 
150 Word Bio

Emily Rose Simons (she/her) is a London based musical theatre writer, composer and sound designer. Composer-Lyricist credits include: Confessions of A Rabbi’s Daughter (The Other Palace, September 2022) & The Inconvenient Miracle (Episcopal Actors Guild Space Grant Recipient). Composer credits include: Seven Fishes (Anatolian Film Festival), The F*ck Am I Doing? (NYMF, Brighton Fringe) and Wendell & Pan (The Tank NYC). Sound Design credits include: Pickle (Park Theatre), Super Human (New Diorama Theatre) and 39 & Counting (Park Theatre). The Songs of Emily Rose Podcast is her monthly “three songs and a bit spiel” available on Spotify and other podcast outlets, and her sheet music is available on www.NewUKMusicals.co.uk She is an alum of the Graduate Musical Theater Writing Program at NYU, Book, Music, Lyrics workshops and the Advance Mercury Musical Developments Lab; and a finalist in the 2021 Styles and Drew Best New Song Competition. www.songsofemilyrose.com

 
100 Word Bio

Emily Rose Simons (she/her) is a London based musical theatre writer, composer and sound designer. Composer-Lyricist credits include: Confessions of A Rabbi’s Daughter (The Other Palace, September 2022) & The Inconvenient Miracle (Episcopal Actors Guild Space Grant Recipient). Composer credits include: Seven Fishes (Anatolian Film Festival), The F*ck Am I Doing? (NYMF, Brighton Fringe). Sound Design credits include: Pickle (Park Theatre), Super Human (New Diorama Theatre). She is an alum of the Graduate Musical Theater Writing Program at NYU and the Advance Mercury Musical Developments Lab; and a finalist in the 2021 Styles and Drew Best New Song Competition.

50 Word Bio
 

Emily Rose Simons is a London based musical theatre writer, composer and sound designer. Known for strong emotive melodies and intelligent compositional style for stage and screen. She is an alum of the GMTWP, Tisch, NYU, Book, Music, Lyrics workshops and the Advance Mercury Musical Developments Lab. www.songsofemilyrose.com